Martin 000-ECHF Bellezza Bianca Guitar has a bookmatched spruce top, big leaf maple back and sides. Polished Gloss White finish. Bound and polished ebony headplate and snowflake position markers. Bone nut and compensated bone saddle. White case and special signed label included. Standard Features Back and Sides Solid Pacific Big Leaf Flame Maple Top Wood Solid Engelmann Spruce Neck Material Select Hardwood Machine Heads Gotoh Silver Plated Binding Grained Ivoroid Frets 20 Bracing 000 14-Fret, Scalloped 5/16'' Neck Joint Modified V Case Included Yes Fingerboard Solid Black Ebony Inlays Black Boltaron Pickguard Black Hardware Silver Plated Scale 24.9"

FENDER American Standard Stratocaster® 0110400 Icon. Not a word to be used lightly. But the Stratocaster is just that. The new American Standard Stratocaster guitars are beauties to behold in sound, look and feel. We kept the hand-rolled fingerboard edges, alnico V pickups and staggered tuning machines for playability, tone and stability, and added several new features, including: * A new bridge with improved bent-steel saddles and a copper-infused high-mass block for increased resonance and sustain. * A new neck treatment—tinted for a richer presentation, with the maple or rosewood fingerboard buffed to a high gloss. The back of the neck still has that silky satin finish. * A thinner finish undercoat that lets the body breathe and improves resonance. * A new Fender-exclusive SKB molded case. * Two beautiful new finish options, Sienna Sunburst and Blizzard Pearl. Model Name American Standard Stratocaster® Model Number 011-0400-(Color #) and 011-0402-(Color #) Series American Standard Series , Neck Maple, Modern “C” Shape, (Gloss Headstock Face with Satin Urethane Finish on Back of Neck) Fingerboard Rosewood (p/n 011-0400) or Maple (p/n 011-0402), 9.5” Radius (241mm) No. of Frets 22 Medium Jumbo Frets Pickups 3 American Strat® Single-Coil Pickups Controls Master Volume, Tone 1. (Neck Pickup), Tone 2. Delta Tone™ (“Delta Tone” system includes high output bridge pickup and special No-Load tone control for Middle and Bridge Pickups) Pickup Switching 5-Position Blade: Position 1. Bridge Pickup Position 2. Bridge and Middle Pickup Position 3. Middle Pickup Position 4. Middle and Neck Pickup Position 5. Neck Pickup Bridge 2-Point Synchronized Tremolo with New American Standard Bent Steel Saddles Machine Heads Fender® Deluxe Staggered Cast/Sealed Tuning Machines Hardware Chrome Pickguard 3-Ply Parchment Scale Length 25.5” (648 mm) Width at Nut 1.685” (42.8 mm) Unique Features New Bent Steel Saddles with Elongated String Slots, Copper Infused High Mass 100% Metal Bridge Block, Thinner Undercoat Finish for Improved Body Resonance, Tinted Neck, Maple Fingerboard Neck: Satin Finish on Back, Gloss Finish on Front; Rosewood Fingerboard Neck: Satin Finish on Back, Gloss Finish on Headstock Front with Buffed Fingerboard, 4-Bolt Neck Attachment with Micro-Tilt™ Adjustment, Bi-Flex Truss Rod System, Parchment Knobs and Pickup Covers, Rolled Fretboard Edges, Staggered Tuning Keys, H/S/H Pickup Routing, New Molded Fender/SKB Case with TSA Locks, Glass Reinforced Nylon Trigger Latches, and Form Fitted Plush Interior Strings Fender® Standard Tension™ Bullet ST3250L, Nickel Plated Steel, (.009 to .042), p/n 073-3250-203 Accessories Fender/SKB® Case, Cable, Strap, Polishing Cloth Case High-Tech, Molded Rectangular SKB® Case

The more dynamic your style, the more you’ll love the Custom Vibrolux Reverb’s ability to whisper or scream in reply to changes in your pick attack. Connoisseurs call this one the “Little Vibro-King®!” • 40 watts into 4 Ohms • Two 6L6 Groove Tube™ output tubes • Five 12AX7 preamp tubes • One 12AT7 tube • 2 x 10” 8 Ohm Jensen P10R speakers with Alnico magnets • Two independent channels (Normal and Bright) • Reverb (functions in both channels) • Vibrato (functions in both channels) • External speaker jack (4 Ohms) • Two-button footswitch • Tilt-back legs • 19.37” H x 25” W x 8.62” D • 46 lbs. 07-27-2004

Eric Johnson Stratocaster® 0117702 Fender® is pleased to announce the long-awaited Eric Johnson Signature Model Stratocaster guitar. The brainchild of Johnson himself, this new model is designed with Eric's own personal features and preferences, and it is made possible because of his expressed desire to give something back to the collectors, players and, especially, the fans who have supported him throughout his career. The Eric Johnson Signature Model Fender Stratocaster guitar is built from some of the finest materials available. The light 2-piece alder body is dressed in a very thin nitro cellulous lacquer finish, and the 1-piece quarter-sawn maple neck sports a 12 inch fingerboard radius, 21 highly polished frets, and a soft "V" neck profile. Additional features include staggered vintage style machine heads, thus eliminating the need for a string tree, custom pickups with countersink screws and wound to Eric's specifications, and highly contoured body and neck. It comes with a parchment '57 style pickguard, 5-Way Switch, Master Volume, Neck Tone and Bridge Tone controls, and a Vintage Tremolo with 4 tremolo springs, silver painted block and '57 style string recess with no paint between base plate and the block. Body 2-Piece, Deep Contoured, &lsquo57 Style Lightweight Alder Body Neck 1-Piece Quartersawn Maple, Soft &ldquoV&rdquo Shape, (Nitro-Cellulose Lacquer Finish) Fingerboard Maple, 12&rdquo Radius (305 mm) No. of Frets 21 Highly Polished Medium Jumbo Frets Pickups 3 Special Design Custom Shop Eric Johnson Pickups with Countersunk Mounting Screws (Neck/Middle/Bridge) Controls Master Volume, Tone 1. (Neck Pickup), Tone 2. (Bridge Pickup) Pickup Switching 5-Position Blade: Position 1. Bridge Pickup Position 2. Bridge and Middle Pickup Position 3. Middle Pickup Position 4. Middle and Neck Pickup Position 5. Neck Pickup Bridge American Vintage Synchronized Tremolo with &ldquoAsh Tray&rdquo Bridge Cover Machine Heads Fender/Gotoh® Staggered Vintage Style Tuning Machines Hardware Nickel/Chrome Pickguard 1-Ply Parchment, (8 Hole) Scale Length 25.5&rdquo (648 mm) Width at Nut 1.650&rdquo (42 mm) Unique Features 1-Piece Quartersawn Soft &ldquoV&rdquo Shape Vintage Tinted Maple Neck, Extra Smooth Neck to Headstock Volute, Special Neckplate with Engraved EJ and Kokopelli, 2-Piece Deep Contoured &lsquo57 Style Lightweight Alder Body, 1957 Style Body Cavities, 12&rdquo Radius Fingerboard, Countersunk Holes in Pickguard for Pickup Mounting Screws, Height Staggered Vintage Style Tuners which Eliminate the Need for String Trees, Vintage Tremolo with Silver Painted Block and &lsquo57 Style String Recess (No Paint Between Base Plate and Block), 5 Tremolo Springs and No Back Tremolo Cover Plate Strings Fender Super 250R, Nickel Plated Steel, Gauges: (.010, .013, .017, .026, .036, .046), p/n 073-0250-006 http://fender.com/products/search.php?partno=0117702806 steve pisani 212 768 4831

Rock ‘n’ Roll has never been about taking things in moderation. So why skimp on your guitar tone? Floor POD® offers 12 prescription-strength amp and cab models from the critically acclaimed POD® 2.0 plus amazing sounding, easy-to-use effects right at your feet. Now you can have your signature sound in any situation. No hassles. No headaches. From jamming with headphones at home, plugging in front of any guitar amp or PA or jacking into anything with power and speakers, getting killer guitar sounds for studio or stage has never been easier.

Marcus Miller autographed by Marcus on the back of headstock!) Marcus Miller combination of soulful groove and astounding technical ability has made him one of the jazz world preeminent virtuoso bassists. Fender stylish Marcus Miller Jazz Bass guitar is soulful and astounding, too. It has an ash body, distinctive black pickguard/control plate and one-piece C-shaped maple neck with a 7.25&rdquo-radius maple fingerboard featuring white binding, white pearl block inlays and a satin finish (gloss finish on the headstock, plus Miller&rsquos signature). Tonal magic comes from a pair of vintage-style Jazz Bass single-coil pickups; the two-band active EQ has an active/passive mini-toggle switch. Other features include a chrome neck pickup cover, knurled chrome dome knobs on the volume controls and black Jazz Bass knobs on the tone controls, a Badass® Bass II™ bridge and a three-bolt neck plate. Marcus Miller Jazz Bass

Marcus Miller combination of soulful groove and astounding technical ability has made him one of the jazz world preeminent virtuoso bassists. Fender stylish Marcus Miller Jazz Bass guitar is soulful and astounding, too. It has an ash body, distinctive black pickguard/control plate and one-piece C-shaped maple neck with a 7.25&rdquo-radius maple fingerboard featuring white binding, white pearl block inlays and a satin finish (gloss finish on the headstock, plus Miller&rsquos signature). Tonal magic comes from a pair of vintage-style Jazz Bass single-coil pickups; the two-band active EQ has an active/passive mini-toggle switch. Other features include a chrome neck pickup cover, knurled chrome dome knobs on the volume controls and black Jazz Bass knobs on the tone controls, a Badass® Bass II™ bridge and a three-bolt neck plate.

POD® XT Live is an uncomplicated, gig-ready tone machine that’s portable and adaptable to different real world stage and recording environments. PODXT Live can be used as a multi-effects pedal in front of any guitar amp, as a complete direct PA solution, or as the world-standard guitar recording workhorse in the studio. At the center of PODXT Live is an incredible gathering of almost 100 must-have stompbox and studio effects models. This handpicked collection of hits from our award-winning PODXT, stompbox modelers and Vetta™ II will give you rich and deliciously detailed tones at the touch of a footswitch. Effects can be positioned in front (stompbox-style) and behind (studio-post) the Amp and Cab models, giving you organic and dynamic tones normally available in only the most high-end guitar stage rigs. Based on the most prized amplifiers in the history of guitar, PODXT Live features 42 classic and modern amp models and 24 cab models, all run through 4 incredibly precise and dynamic microphone model options to provide a complete tonal palette for any type of live gig or studio session. This amazing collection of Line 6 Amp Models has been used on countless hit recordings and tours and is now on the floor at your disposal. PODXT Live has a total of 128 preset locations ready for instant recall via large, stage-ready channel footswitches. Right out of the box, PODxt Live is loaded with 80 custom, pre-programmed tones with dedicated patches for running in front of an amp or direct recording. Plus, you've got lots of open locations just waiting to be filled with your own creations or selections from our vast online tone library with thousands of signature sounds from the greatest guitarists, bands, songs and gear of all time. Features also include a large backlit display, dedicated stompbox on/off switches, combination wah/volume/tweak pedal, tap tempo/tuner switch, an expression pedal input, stereo 1/4-inch analog outs to feed an amp or line inputs, headphone out, aux input for your CD/MP3 player or drum machine, MIDI, and USB computer connectivity for digital I/O, plus deep editing using the free, downloadable Line 6 Edit or GuitarPort software. PODXT Live of course has a standard analog guitar input - with a selectable pad and adjustable level to handle even super hot active pickup outputs and high output level stompboxes. But there’s also a Variax guitar digital connection. Now a Variax's collection of acoustic and electric guitar models, plus PODXT Live’s assortment of amps, cabs, and effects can ALL be instantly transformed into virtually any guitar-effect-amp rig with just the press of a footswitch. POD® is the world standard for guitar tone in studios around the world, and with PODXT Live, you can have total control of that history making tone at your feet. Find a dealer and purchase PODXT Live today. Use the built-in tone of your PODXT Live as a plug-in! Purchase GearBox Plug-In in the Line 6 Store now. Just a download away. Mac®/PC users: Try out GuitarPort Online for 30 days free! 95 Stompbox and Studio Effects* 42 Legendary and Classic Amp Models* 24 Cab & 4 Mic models* 128 Channel Memories* Stereo 1/4-inch analog Amp/Line Outs Variax® Digital Input Routing Options Deep Editing Built-in Chromatic Tuner Large Backlit Display Dedicated Stompbox On/Off Switches Combination Wah/Volume/Tweak Pedal Tap Tempo/Tuner Switch Expression Pedal Input Headphone Out Aux Input for CD/MP3 players, drum machines, etc. Full MIDI Support USB Digital Recording I/O - Plus, Mac/PC editing with free Line 6 Edit™ or GuitarPort® software It's here and it's free. Get it now. Learn more here.

SA Prestige (set-in) neck 5pc. Maple/ Bubinga Neck Material African Mahogany w/Flamed Maple top Body 22/Jumbo frets Bound Rosewood Finger Board SAT Pro bridge DiMarzio IBZ (H) Neck PU DiMarzio IBZ (H) Bridge PU Prestige on 12th Fret Inlay 22/Jumbo frets Jumbo frets offer easy playing for leads and chording. honey sunburst (hs) Case For SA2120FM

UG94PP252 USED GIBSON JIMMY PAGE LES PAUL

Icon. Not a word to be used lightly. But the Stratocaster is just that. The new American Standard Stratocaster guitars are beauties to behold in sound, look and feel. We kept the hand-rolled fingerboard edges, alnico V pickups and staggered tuning machines for playability, tone and stability, and added several new features, including: * A new bridge with improved bent-steel saddles and a copper-infused high-mass block for increased resonance and sustain. * A new neck treatment—tinted for a richer presentation, with the maple or rosewood fingerboard buffed to a high gloss. The back of the neck still has that silky satin finish. * A thinner finish undercoat that lets the body breathe and improves resonance. * A new Fender-exclusive SKB molded case. * Two beautiful new finish options, Sienna Sunburst and Blizzard Pearl. Model Name American Standard Stratocaster® Model Number 011-0400-(Color #) and 011-0402-(Color #) Series American Standard Series , Neck Maple, Modern “C” Shape, (Gloss Headstock Face with Satin Urethane Finish on Back of Neck) Fingerboard Rosewood (p/n 011-0400) or Maple (p/n 011-0402), 9.5” Radius (241mm) No. of Frets 22 Medium Jumbo Frets Pickups 3 American Strat® Single-Coil Pickups Controls Master Volume, Tone 1. (Neck Pickup), Tone 2. Delta Tone™ (“Delta Tone” system includes high output bridge pickup and special No-Load tone control for Middle and Bridge Pickups) Pickup Switching 5-Position Blade: Position 1. Bridge Pickup Position 2. Bridge and Middle Pickup Position 3. Middle Pickup Position 4. Middle and Neck Pickup Position 5. Neck Pickup Bridge 2-Point Synchronized Tremolo with New American Standard Bent Steel Saddles Machine Heads Fender® Deluxe Staggered Cast/Sealed Tuning Machines Hardware Chrome Pickguard 3-Ply Parchment Scale Length 25.5” (648 mm) Width at Nut 1.685” (42.8 mm) Unique Features New Bent Steel Saddles with Elongated String Slots, Copper Infused High Mass 100% Metal Bridge Block, Thinner Undercoat Finish for Improved Body Resonance, Tinted Neck, Maple Fingerboard Neck: Satin Finish on Back, Gloss Finish on Front; Rosewood Fingerboard Neck: Satin Finish on Back, Gloss Finish on Headstock Front with Buffed Fingerboard, 4-Bolt Neck Attachment with Micro-Tilt™ Adjustment, Bi-Flex Truss Rod System, Parchment Knobs and Pickup Covers, Rolled Fretboard Edges, Staggered Tuning Keys, H/S/H Pickup Routing, New Molded Fender/SKB Case with TSA Locks, Glass Reinforced Nylon Trigger Latches, and Form Fitted Plush Interior Strings Fender® Standard Tension™ Bullet ST3250L, Nickel Plated Steel, (.009 to .042), p/n 073-3250-203 Accessories Fender/SKB® Case, Cable, Strap, Polishing Cloth Case High-Tech, Molded Rectangular SKB® Case

American 60th Anniversary American Stratocaster® 0116000 The American Series 60th Anniversary Stratocaster guitar represents 60 years of innovation. Finished in Fender&rsquos famous Three-color Sunburst, this limited-edition Strat features an original alder body shape and modern C-shaped maple neck with rosewood fingerboard, rolled fingerboard edges and medium jumbo frets. Other features include three American Vintage &rsquo57 Strat single-coil pickups (middle pickup is reverse wound/reverse polarity to cancel hum when combined with another pickup), an American two-point synchronized tremolo with stainless steel saddles, Delta Tone™ circuit, jeweled headstock inlay, and parchment knobs and pickup covers. A Stratocaster this loaded and this special comes along only once every 60 years! Available through Dec. 31, 2006. PHOTO & SPEC http://www.fender.com/products/search.php?partno=0116000700 Model Name 60th Anniversary American Stratocaster® Model Number 011-6000-(700) Series American Series Colors (700) 3-Color Sunburst, (Polyurethane Finish) Body Alder Neck Maple, Modern &ldquoC&rdquo Shape, (Satin Polyurethane Finish) Fingerboard Rosewood, 9.5&rdquo Radius (241 mm) No. of Frets 22 Medium Jumbo Frets Pickups 3 New American Vintage Strat® Single-Coil Pickups with the Middle Pickup Reverse Wound/Reverse Polarity for Hum Canceling in the Middle Switch Position Controls Master Volume, Tone 1. (Neck Pickup), Tone 2. New Delta Tone™ (&ldquoDelta Tone&rdquo system includes high output bridge pickup and special No-Load tone control for Middle and Bridge Pickups) Pickup Switching 5-Position Blade: Position 1. Bridge Pickup Position 2. Bridge and Middle Pickup Position 3. Middle Pickup Position 4. Middle and Neck Pickup Position 5. Neck Pickup Bridge American 2-Point Synchronized Tremolo with Stainless Steel Saddles Machine Heads Fender®/Schaller® Deluxe Staggered Cast/Sealed Tuning Machines Hardware Chrome Pickguard 3-Ply Parchment Scale Length 25.5&rdquo (648 mm) Width at Nut 1.6875&rdquo (43 mm) Unique Features Stamped 60th Anniversary Neck Plate, Commemorative &lsquo60th Anniversary Case, Cubic Zirconium Inlaid Headstock Emblem, 3 American Vintage Strat® Single-Coil Pickups (Mid R/W-R/P), &ldquoParchment&rdquo Knobs and Pickup Covers, Original Headstock Shape, Original Body Shape with &ldquoOriginal Contour Body&rdquo Decal on Headstock, Rolled Fingerboard Edges, H/S/H Pickup Routing Strings Fender® Super Bullets® 3250L, Nickel Plated Steel, (.009 to .042), p/n 073-3250-003 Accessories Deluxe Silver Hardshell Case Case Deluxe Silver Hardshell Case

POD® XT Pro * 32 amp models, 60+ effects * Digital I/O

POD® X3 Live * Super-fast tone switching * Every sound for every gig The stage-ready POD® X3 Live represents the true evolution of the now-classic POD® xt Live guitar amp modeler, with an expanded array of 78 guitar amps, from high-wattage heavyweights to boutique beauties and vintage treasures. Guitar amp models are just the beginning: With 24 guitar cabs, 98 stompbox and studio effects, 28 bass amps, 22 bass cabs and six vocal preamps - POD X3 Live comes complete with the all-around sonic firepower of a top-tier major-label studio, ready to tackle guitar, bass vocals and beyond. What’s more, its larger LCD and smart new editing workflow pages make it easier than ever to find, tweak and save tones. POD X3 Live also offers powerful new dual tone modeling and routing options. Split your single-input guitar or bass signal through two different amp and effect chains simultaneously to create gorgeous new hybrids, or use its dual inputs to individually process two instruments—a microphone and a guitar, for example—at the same time. Computer recording enthusiasts will want to exploit the USB 2.0 connectivity provided by POD X3 Live for multi-channel recording as well as its S/PDIF Stereo Digital Audio Output for sending an ultra-clean signal to their DAW. In addition to stereo 1/4-inch line outputs (with Amp/Line pad switch) POD X3 Live boasts stereo XLR balanced line outputs for the best possible live signal. When you hit the stage with the sleek, rugged brushed-aluminum POD X3 Live (with its racecar-inspired built-in expression pedal), you’ll be outfitted with even more of the flexibility and timeless tones that have made POD the global standard for the discriminating guitarist.

MODEL 000-1 BODY STYLE Auditorium (000) SERIES 1 Series TOP WOOD Solid Spruce ROSETTE Black and White PICKGUARD Tortoise Color BRACING A-Frame X-Bracing SIDE WOOD Laminated Mahogany BACK WOOD Solid Mahogany BACK CONSTRUCTION 2 piece BACK INLAY STRIP Black Fiber (Style 18) FINGERBOARD AND BRIDGE Rosewood BINDING Tortoise Color BOUND FINGERBOARD none NECK WIDTH AT NUT 1 11/16'' SCALE LENGTH 25.4'' FRETS CLEAR 14 FRETS TOTAL 20 BODY FINISH Satin with Honey Gold Toner NUMBER OF STRINGS 6 RECOMMENDED STRINGS MSPLUS-3100 Light 80/20 Bronze CASE Case included Please feel free to contact Sam Ash 212 768 4831 for special sales & promotions!

MODEL 000-18 BODY STYLE Auditorium (000) SERIES Standard Series TOP WOOD Solid Spruce ROSETTE Black and White PICKGUARD Black BRACING Standard 5/16'' SIDE WOOD Solid Mahogany BACK WOOD Solid Mahogany BACK CONSTRUCTION 2 Piece BACK INLAY STRIP Black Fiber (Style 18) FINGERBOARD AND BRIDGE Rosewood BINDING Black BOUND FINGERBOARD none NECK WIDTH AT NUT 1 11/16'' SCALE LENGTH 24.9'' FRETS CLEAR 14 FRETS TOTAL 20 BODY FINISH Gloss NUMBER OF STRINGS 6 RECOMMENDED STRINGS MSPLUS-3100 Light 80/20 Bronze CASE Case Included Please feel free to contact Sam Ash 212 768 4831 for special sales & promotions!

MODEL 000-28 BODY STYLE Auditorium (000) SERIES Standard Series TOP WOOD Solid Spruce ROSETTE Black and White PICKGUARD Black BRACING Standard 5/16'' SIDE WOOD Solid Rosewood BACK WOOD Solid Rosewood BACK CONSTRUCTION 2 Piece BACK INLAY STRIP Checkered (Style 28) FINGERBOARD AND BRIDGE Ebony BINDING White BOUND FINGERBOARD none NECK WIDTH AT NUT 1 11/16'' SCALE LENGTH 24.9'' FRETS CLEAR 14 FRETS TOTAL 20 BODY FINISH Gloss NUMBER OF STRINGS 6 RECOMMENDED STRINGS MSPLUS-3100 Light 80/20 Bronze CASE Case Included Please feel free to contact Sam Ash 212 768 4831 for special sales & promotions!

MARTIN ERIC CLAPTON 00028EC! MODEL 000-28EC BODY STYLE Auditorium (000) SERIES Vintage Series TOP WOOD Solid Spruce ROSETTE Herringbone PICKGUARD Tortoise Color BRACING Scalloped 5/16'' SIDE WOOD Solid Rosewood BACK WOOD Solid Rosewood BACK CONSTRUCTION 2 piece BACK INLAY STRIP Zig Zag (HD) FINGERBOARD AND BRIDGE Ebony BINDING Grained Ivoroid® BOUND FINGERBOARD none NECK WIDTH AT NUT 1 3/4'' SCALE LENGTH 24.9'' FRETS CLEAR 14 FRETS TOTAL 20 BODY FINISH Gloss Finish with Vintage Toner on Top NUMBER OF STRINGS 6 RECOMMENDED STRINGS MSPLUS-3100 Light 80/20 Bronze CASE Please feel free to contact Sam Ash 212 768 4831 for special sales & promotions!

MARTIN 00028ECB brazilian rosewood Clapton model! Crafted with solid woods throughout, the sides and back are constructed from solid Brazilian rosewood, and the top is bookmatched from select Sitka spruce for optimum tonal response. The rosette is embellished with delicately inlaid herringbone pearl, and the body is bound with grained ivoroid. A genuine ebony fingerboard features abalone diamonds and squares bordered in mother of pearl. Eric Clapton’s signature is inlaid in mother of pearl between the 19th and 20th frets. Each 000-28ECB will bear an interior label, individually numbered in sequence with the edition total and personally signed by Eric Clapton and Martin Chairman and CEO C. F. Martin IV. The 000-28ECB is tastefully appointed with a hand beveled and polished tortoise colored pickguard. Premium Waverly® nickel-plated open-geared tuning machines are equipped with vintage style ''butterbean'' knobs. The squared headstock bears Martin’s tasteful but elegant old-style decal logo. A Deluxe Vintage Series Geib™ Hardshell Case is included with the purchase of each 000-28ECB instrument. These beautiful cases feature vintage shape, deep textured black exterior, 5-ply laminated wood shell, crushed velvet interior, antique white stitching, brass-plated hardware and a keyed lock. Please feel free to contact Sam Ash 212 768 4831 for special sales & promotions!

MODEL 00-45S 1902 CONSTRUCTION: Mahogany Blocks/Dovetail Neck Joint BODY SIZE: 00-12 Fret TOP: Solid Adirondack Spruce ROSETTE: Style 45- Maple And Black Fiber Inlays TOP BRACING PATTERN: 00-45S 12-Fret TOP BRACES: Solid Adirondack Spruce/ Scalloped 1/4'' Golden Era BACK MATERIAL: Brazilian Rosewood (Sitka Golden Era Style Back Braces) BACK PURFLING: Style 45 Golden Era SIDE MATERIAL: Brazilian Rosewood ENDPIECE: Grained Ivoroid Style 45 Mitered ENDPIECE INLAY: BW Wood Inlays (Black/Maple one piece) Mitered BINDING: Grained Ivoroid TOP INLAY STYLE: Abalone Pearl with Black/Maple/Black Fiber Inlays SIDE INLAY: Abalone Pearl with Black/Maple/Black Fiber Inlays BACK INLAY: Abalone Pearl with Black/Maple/Black Fiber Inlays NECK MATERIAL: Solid Mahogany NECK SHAPE: Modified V NUT MATERIAL: Fossil Ivory HEADSTOCK: Slotted/Square Slots/Square Taper/Diamond/Stamp On Back Of Head(Naz. PA) HEADPLATE: Solid Brazilian Rosewood/Flower Pot- Abalone Pearl Inlay HEELCAP: Grained Ivoroid FINGERBOARD MATERIAL: Solid Black Ebony SCALE LENGTH: 24.9'' # OF FRETS CLEAR: 12 # OF FRETS TOTAL: 19 FINGERBOARD WIDTH AT NUT: 1 7/8'' FINGERBOARD WIDTH AT 12TH FRET: 2 5/16'' FINGERBOARD POSITION INLAYS: Tree Of Life- Select Pearl FINGERBOARD BINDING: Grained Ivoroid/Mitered FINISH BACK & SIDES: Polished Gloss/ Dark Filler FINISH TOP: Polished Gloss/ Aging Toner FINISH NECK: Polished Gloss w/ Dark Mahogany Stain BRIDGE MATERIAL: White Micarta® BRIDGE STYLE: Pyramid w/ Drop-in Saddle BRIDGE STRING SPACING: 2 5/16'' SADDLE: 16'' Radius/Fossil Ivory TUNING MACHINES: Waverly Chrome w/ Small Ivoroid Knobs RECOMMENDED STRINGS: Martin SP 4100 Light Phosphor Bronze BRIDGE & END PINS: Fossil Ivory w/ Black Pearl Dots PICKGUARD: Special I-03 Tortoise Color inlaid into Top w/Abalone Pearl Inlay CASE: 900 Coffin Case INTERIOR LABEL: Paper Label Signed By CFM IV-Numbered In Sequence w/ Total (100)

MODEL 0-28 Ian Anderson CONSTRUCTION: Mahogany Blocks/Dovetail Neck Joint BODY SIZE: 0-12 Fret TOP: Solid Adirondack Spruce ROSETTE: Single Ring w/BWBWB Wood Fiber TOP BRACING PATTERN: 0-12 Fret TOP BRACES: Solid Adirondack/Scalloped 1/4'' BACK MATERIAL: Solid East Indian Rosewood BACK PURFLING: HD Zig Zag SIDE MATERIAL: Solid East Indian Rosewood ENDPIECE: Grained Ivoroid ENDPIECE INLAY: Black/White Wood Fiber BINDING: Grained Ivoroid TOP INLAY STYLE: Fine Herringbone SIDE INLAY: B/W Fiber BACK INLAY: Black/White Fiber NECK MATERIAL: Genuine Mahogany NECK SHAPE: Modified V NUT MATERIAL: Bone HEADSTOCK: Slotted/Square Slots/6 String Long Diamond/Square Taper HEADPLATE: Solid Indian Rosewood HEELCAP: Grained Ivoroid FINGERBOARD MATERIAL: Solid Black Ebony SCALE LENGTH: 24.9'' # OF FRETS CLEAR: 12 # OF FRETS TOTAL: 20 FINGERBOARD WIDTH AT NUT: 1 7/8'' FINGERBOARD WIDTH AT 12TH FRET: 2 5/16'' FINGERBOARD POSITION INLAYS: Diamond & Squares - Long Pattern, Ian Anderson Signature FINGERBOARD BINDING: none FINISH BACK & SIDES: Polished Gloss/ Dark Filler FINISH TOP: Polished Gloss/ Vintage Toner FINISH NECK: Polished Gloss/ Dark Mahogany Stain/Dark Filler BRIDGE MATERIAL: Solid Black Ebony BRIDGE STYLE: Pyramid- Long Saddle BRIDGE STRING SPACING: 2 5/16'' SADDLE: 16'' Radius/ White Micarta and 16'' Black Micarta Saddles Included TUNING MACHINES: Waverly/Sloane w/ Small Ivoroid Knobs RECOMMENDED STRINGS: MSP 4100 Light Phosphor Bronze (M-160 Ball End-High Tension Nylon Included In Case Pocket) BRIDGE & END PINS: White w/ Black Dots PICKGUARD: none CASE: 535 Geib Style™ INTERIOR LABEL: Paper Label Signed By CFM IV And Ian Anderson, Numbered In Sequence With Total (TBD) ELECTRONICS: Fishman® Gold Plus Natural 1 Please feel free to contact Sam Ash 212 768 4831 for special sales & promotions!

1936 2x12 Cab Stereo 2x12'' cabinet ideally suited for use with such a set-up - the 1936. This compact, 150 Watt unit is perfect as an extension cabinet for combos and can also support a full-sized head. Want a portable half-stack? The 1936 is the solution. Whatever your rig, with our unrivalled sound and construction techniques, Marshall offers a wide range of cabinets that are not only perfect for your needs . . . they will also last you a lifetime.

1960 Relic® Stratocaster ® LTD (with Brazilian 3TSB Limited Edition! MASTERBUILDER Yuriy Shishkov Model Name 1960 Relic® Stratocaster® LTD (with Brazilian Rosewood Fingerboard) Body Lightweight Select Alder Neck Maple, Mid ‘60s Oval “C” Shape, (Nitrocellulose Lacquer Finish) Fingerboard Brazilian Rosewood, 7.25” Radius (184mm) No. of Frets 21 Vintage Style Frets Pickups 3 Custom Fat ‘50s Single-Coil Strat® Pickups Controls Master Volume, Tone 1. (Neck Pickup), Tone 2. (Bridge/Middle Pickup) Pickup Switching 5-Position Blade: Position 1. Bridge Pickup Position 2. Bridge and Middle Pickup Position 3. Middle Pickup Position 4. Middle and Neck Pickup Position 5. Neck Pickup Bridge American Vintage Synchronized Tremolo Machine Heads Fender/Gotoh® Vintage Style Tuning Machines Hardware Nickel/Chrome Pickguard 3-Ply Mint Green Scale Length 25.5” (648 mm) Width at Nut 1.650” (42 mm) Unique Features Brazilian Rosewood Fingerboard, Maple, Oval “C” Shape, Bone Nut, Shows natural wear and tear of years of heavy use, nicks, scratches, worn finish rusty hardware and aged plastic parts.

1960 4x12 MARSHALL CAB A or B othing personifies the image of rock 'n' roll more completely than a wall of Marshall stacks. Though often imitated, nothing compares to the original. The world's first ever 4x12'' cab was designed and built by Jim Marshall in 1962, and with it a legend was born. Since then we have made many thousands, which have appeared on stages all over the globe. To satisfy the increasingly diverse tastes of the modern guitarist, Marshall 4x12s are available with three distinctly different types of Celestion speaker: a) Standard 75 Watt 'G12T-75' speakers (1960A/B). b) Marshall/Celestion designed re-issue 25 Watt Greenbacks, 'G12M-25' (1960AC/BC). c) The extra warm sounding Marshall/Celestion 'Vintage' speaker [rated at 70 Watts each] (1960AV/BV). Each speaker type has its own individual character, so we urge you to try all three flavours before making your final decision. To ensure the ultimate in flexibility, the 1960A (angled), 1960B (straight), 1960AV and 1960BV cabs are switchable between Mono (4 or 16 Ohms) and Stereo (8 Ohms per side). The two Mono impedance options provide extra amp matching capability while the cabinets' stereo capability makes them ideal for rack systems which typically run in stereo. - Black grille cloth / white piping - Large white logo

1960 TV 4 x12 To re-create the classic looks and tones of yesteryear, we also offer the 1960AX / BX and 1960TV cabinets. The 1960TV houses four Marshall/Celestion designed re-issue 25 Watt 'Greenback' speakers and is finished with the mid to late '60s style 'EC' fret cloth and the smoother levant covering. This cabinet stands an impressive 4 inches taller than a standard 4x12 - hence the 'TV' in its name which is an acronym for 'Tall, Vintage'. - Extra tall cabinet - Grey EC grille cloth / gold piping - Small size white logo with gold foil - Black levant vinyl / gold beading on cabinet

PRS 2005 20TH ANNIVERSARY DRAGON DOUBLE NECK WITH BROWN SUEDE PRIVATE STOCK CASE Double neck (6/12) mahogany body with an insane flamed maple top, 2 highly detailed fighting dragons are inlaid into the top using an extremely broad pallet of beautiful materials, this is the most ornate Dragon model of all time!!! Neck Mahogany Fingerboard Brazilian Rosewood Top Artist Grade Flame Maple Back Mahogany Headstock Brazilian Veener Inlay Double Dragon Pickups Dragon II Electronics 2 Vol, 1 Tone, Neck 3 way 2 Pickup 3 ways Hardware Gold Stop Tail and McCarty Tuning Pegs Set-up 009's on the 6 string, 10's on the 12 string Best regards, rock on! Steve Pisani Customshop Guitar specialist Sam Ash Music Corp. Phone (212)768 4831 Fax: (631) 598 0442 e-mail : gtr1a@ aol.com steve@samashcustomguitars.com

20th ANNIVERSARY CUSTOM 22! To celebrate our 20th anniversary, we are offering a distinctive “birds-in-flight” inlay on Cutom 22 also with Artist package upgrade). These beautiful instruments bearing the anniversary fingerboards are available in most of our transparent colors but will only be made throughout 2005. Talk to your authorized PRS dealer and make sure you get one. Body * Carved flame or quilted maple top with mahogany back * Option: 10 top flame * Option: 10 top quilt Neck * 25” scale length mahogany neck with rosewood fretboard and green ripple abalone 20th Anniversary bird inlays with brown lip mother of pearl wisps * Option: 22 fret - wide thin or wide fat Hardware * 22 fret - PRS Stoptail or Tremolo * PRS 14:1 Phase II low mass locking tuners * Black anodized “20th” truss rod cover * Option: Gold hardware Electronics * 22 fret - Dragon II treble and bass pickups with covers * Volume and tone control with 5-way rotary pickup selector * Option: Volume and push/pull tone control with 3-way toggle pickup selector 20th Anniversary Overall Option *Artist package Artist grade top green ripple abalone 20th Anniversary bird inlays w/ brown lip mother of pearl wisps, Brazilian rswd fretboard & headstock abalone headstock signature gold hardware leather hardshell case

20th ANNIVERSARY CUSTOM 24! To celebrate our 20th anniversary, we are offering a distinctive “birds-in-flight” inlay on Custom 24 models (available also with Artist package upgrade). These beautiful instruments bearing the anniversary fingerboards are available in most of our transparent colors but will only be made throughout 2005. Talk to your authorized PRS dealer and make sure you get one. Body * Carved flame or quilted maple top with mahogany back * Option: 10 top flame * Option: 10 top quilt Neck * 25” scale length mahogany neck with rosewood fretboard and green ripple abalone 20th Anniversary bird inlays with brown lip mother of pearl wisps * Option: 24 fret - wide thin or regular Hardware PRS Tremolo * PRS 14:1 Phase II low mass locking tuners * Black anodized “20th” truss rod cover * Option: Gold hardware Electronics * 24 fret - HFS treble and Vintage bass pickups * Volume and tone control with 5-way rotary pickup selector * Option: Volume and push/pull tone control with 3-way toggle pickup selector 20th Anniversary Overall Option *Artist package Artist grade top green ripple abalone 20th Anniversary bird inlays w/ brown lip mother of pearl wisps, Brazilian rswd fretboard & headstock abalone headstock signature gold hardware leather hardshell case

PRS 20TH ANV CUST 24

The 2670RE "Artwood Twin" is a double-necked electric guitar, featuring a 6-string and a 12-string and a list price of just under $10,000. "It's an historic instrument and its reissue will also be historic: the 2670 will be the most expensive Ibanez guitar in our history," said Paul Specht of Ibanez. "But considering the level of handcraftsmanship, and the fact that there will only be 45 worldwide, that price is really quite reasonable. Especially when you also consider that some historical and custom shop models of other companies go for $20,000—and that's just their dealer net." Continued Specht, "The Artwood Twin double neck is what many people from the ibanezcollectors.com website—which as a matter of fact uses the 2670 as a part of their logo— told us they wanted to see next after last year's very successful Bob Weir limited edition model." Like the 2005 Bob Weir Model Handcrafted Reissue, the 2006 Artwood Twin is made in a small Japanese shop staffed by luthiers that made the original Ibanez models. Unlike the Bob Weir model, which had to be recreated without the original blueprints since those had been lost, the 2670 was recreated using all of the original blueprints and specifications. Only one specification has been changed: the original Super 70 pickups have been replaced with Super 58 pickups which feature a sandblasted old-style Ibanez "spaghetti" logo. Body type Solid body electric double neck Handed Right Number of strings 6/12 Scale Length 24.75” Number of frets 22 on each neck Neck Attachment Set Neck Neck Construction Solid Maple Neck Color Natural Maple Neck Finish High Gloss Lacquer Body Wood Solid Ash Body Top Wood Carved Solid Ash Body Finish High Gloss Lacquer Headstock Top Finish Black Lacquer with Multi-Layer Binding Surround Headstock Back Finish Clear Lacquer over Natural Maple Headstock Binding Multi-Ply Black and White Binding Headstock Inlay Abalone Tree of Life Fretboard Material Ebony Fretboard Binding Single-Ply White Fretboard Inlays Abalone Tree of Life Side Markers Inlaid Black Dots Pickup Quantity Two/Two Pickup Type(s) Ibanez Super 80 “Flying Fingers” Electronics/Controls * Two Volume, one each for 6 and 12 * Two Tone, one each for 6 and 12 * One 3-Way Neck Selector * Four “Tri-Tone” Phase/Coil Selector Switches * Two 3-Way Pickup Switches for Each Neck * One Master Volume Knobs Ibanez Gold Speed Knobs Tuners Ibanez Grover-Style Pearloid Bridge Solid Brass Gibraltar 1 with Tone Blocks Tailpiece Ibanez Single Piece Cloud Nut Ibanez 50/50 Brass/Bone Strap Buttons Gold Hardware Finish Gold Weight Heavy! Options There are no options available on this guitar. It is the top of the line. Hardshell Case Included Original Hard Shell Case

NEW RICKENBACKER 325cV58 BLACK finish Today’s 325C58 is an exact replica of John Lennon’s first 1958 model 325 purchased in Hamburg. This hollow-body guitar is sculpted from solid Alder, and is available in natural Mapleglo or Jetglo finish. Featuring gold nameplate and pickguard, gold-on-brown knobs, an elongated jack plate, and Kauffman Vibrola, the 325C58 precisely replicates every detail of John Lennon’s original 325. Body Type Semi-Hollow No. Frets 21 Scale Length 52.7 cm (20.75'') Neck Width at Nut 41.3 mm (1.65'') Neck Width at 12th Fret 49.2 mm (1.93'') Crown Radius 24.1 cm (9.5'') Body Wood Alder Neck Wood Alder Fingerboard Wood Rosewood Weight 2.3 kg (5.0 lbs.) Overall Length 87.6 cm (34.5'') Overall Width 32.4 cm (12.75'') Overall Depth 50.8 mm (2.03'') Fingerboard and Body Binding Unfinished, No Fret Marker Style Dot Tailpiece Kauffman Vib-rola Bridge Vintage repro roller Neck Type Set-in No. of Pickups 3 Type of Pickups Vintage Single Coil Output Type Mono Machine Heads Sta-Tite reproduction

NEW RICKENBACKER 325V58 natural maple finish Today’s 325C58 is an exact replica of John Lennon’s first 1958 model 325 purchased in Hamburg. This hollow-body guitar is sculpted from solid Alder, and is available in natural Mapleglo or Jetglo finish. Featuring gold nameplate and pickguard, gold-on-brown knobs, an elongated jack plate, and Kauffman Vibrola, the 325C58 precisely replicates every detail of John Lennon’s original 325. Body Type Semi-Hollow No. Frets 21 Scale Length 52.7 cm (20.75'') Neck Width at Nut 41.3 mm (1.65'') Neck Width at 12th Fret 49.2 mm (1.93'') Crown Radius 24.1 cm (9.5'') Body Wood Alder Neck Wood Alder Fingerboard Wood Rosewood Weight 2.3 kg (5.0 lbs.) Overall Length 87.6 cm (34.5'') Overall Width 32.4 cm (12.75'') Overall Depth 50.8 mm (2.03'') Fingerboard and Body Binding Unfinished, No Fret Marker Style Dot Tailpiece Kauffman Vib-rola Bridge Vintage repro roller Neck Type Set-in No. of Pickups 3 Type of Pickups Vintage Single Coil Output Type Mono Machine Heads Sta-Tite reproduction

RICKENBACKER 330 Careful acoustic research has resulted in the full, rich and warm sound of this popular model. Two single coil pickups on a full size body are accented by a traditionally shaped sound hole. The 24 fret Rosewood fingerboard is punctuated by dot inlay fret markers, with full double cutaways permitting access to all the frets. Standard output is monaural through a single jack plate. Also available with an additional pickup (Model 340) and as twelve string versions with either 2 or 3 pickups (Model 330/12 and Model 340/12 respectively).

The Epiphone Dot is a jazzbox with a classic semi-hollow design. The laminated maple body contains two chrome-covered humbucking pickups and a stopbar tailpiece, elegant f-holes, and a pickguard adorned with the Epiphone "E." Its set maple neck has a rosewood fingerboard embellished with dot inlays. Case not included. * Laminated maple body * Set in maple neck * Rosewood fingerboard with dot inlays * 2 chrome covered humbuckers * 2 Volume and 2 Tone controls with 3-way switch * Adjustable bridge with stop tailpiece * Vintage style tuners * Chrome hardware * White body binding * 24.75" scale * 1.68" nut width

HARTKE 3500 BASS HEADPower: 350 Watts at 4 Ohms 240 Watts at 8 Ohms Selectable Tube & Solid-State Preamps Rotary Bass & Treble Contour Controls 10-Band Graphic Eq Adjustable Compression Balanced XLR Out Total Harmonic Distortion: Less Than 1% At Rated Power Signal-To-Noise: Approx. 78 dBm Effects Send & Return Bipolar Design Passive/Active Input Jack Rack-Mountable Dimensions: 2U Space, 13'' Deep

www.swrsound.com/products/proseries/350x.html DESCRIPTION Improving on greatness. SWR's 350x is the third in a series of upgrades to SWR's top-selling Bass 350 amplifier. In addition to new chassis graphics - featuring the SWR logo badge in classic chrome - the 350x has inherited the SWR Mo Bass' popular SubWave effect, which produces a clean, pure and accurate octave effect. A Subwave Footswitch with a hardwired 1/4'' cable (for connection purposes) ships with the 350x as an added bonus. FRONT PANEL FEATURES Ultra-High-Polished Aluminum Front Panel Dual independent input jacks compatible for both active and passive instruments Gain control with LED peak clipping indicator Our exclusive Aural Enhancer circuitry Subwave (with Level control) Subwave Illuminated on/off switch Limiter Limiter Defeat Switch Active bass and treble controls Variable mid-range EQ Effects Blend Control Master Volume Control Rack mountable Chrome Rack Handles Power On/Off Switch Aluminum chassis REAR PANEL FEATURES Sidechain mono effects loop Balanced XLR Output XLR Mode Switch (Direct, Line, or Direct + Sub) Tuner Send Subwave Footswitch Jack Fan Defeat Switch Two 1/4'' Speaker Output Jacks Two Speakon Output Jacks Speaker fuse: 3AG, 10 Amp, Fast Blo Line Fuse: 3AG, 8 Amp, Slow Blo AC Line Receptacle Note: Specifications for SWR models outside the U.S. may vary INTERNAL FEATURES All tube preamp gain stages (1) 12AX7 Preamp Tube Cooling Fan FREQUENCY RESPONSE (Power Amplifier): -3dB @ 20Hz and 40KHz DIMENSIONS 19''W x 3.5''H x 12.25''D WEIGHT 17 lbs. POWER OUTPUT 350 Watts @ 4 ohms 240 Watts @ 8 ohms (minimum load = 4 ohms) SENSITIVITY Full output under clipping, 8 ohms load, 100 Hz Passive Input Jack: 38 millivolts Active Input Jack: 155 millivolts Power Amplifier (Effects Return Jack ''in''): .5 volts SIGNAL TO NOISE RATIO -72 dB(10 millivolts typical) EQUIVALENT INPUT NOISE 9 microvolts INPUT IMPEDENCE Passive/Active Input: 800K Ohms Active Input: 60K Ohms Effects Return: 27K Ohms OUTPUT IMPEDENCE Effects Send: 100 Ohms Tuner Send: 100 Ohms XLR Balanced Out: 750 Ohms

RICKENBACKER 360 The 'British' sound of the 1960's. Subtly updated through the years, this Deluxe hollow body with its special contour around the entire body perimeter, is still perhaps the most comfortable guitar of all. The bound body and Rosewood fingerboard, inlayed with triangular pearloid markers, provide an exceptionally attractive appearance. Stereo output is standard.

RICKENBACKER 360 Careful acoustic research has resulted in the full, rich and warm sound of this popular model. Two single coil pickups on a full size body are accented by a traditionally shaped sound hole. The 24 fret Rosewood fingerboard is punctuated by dot inlay fret markers, with full double cutaways permitting access to all the frets.

RICKENBACKER 12 STRING! The world's most popular twelve string electric guitar with all the features of its Model 360. The slimmed and re-contoured neck now makes model 360/12 easier to play than ever. Stereo output

Since 1987, the Ibanez RG has been the weapon of choice for visiting sonic mayhem on the metal masses. With the right choice of pickups, flat and fast necks and double-locking trems, the RG has divebombed and crunched its way to classic status. To the RG's lethal combination of features, RG Prestige models add the comfortable, rounded feel of Prestige neck finishing, drop-dead good looks and top-shelf electronics and hardware. For over 15 years, the undisputed standard in guitars for the hard rock player. Pickups and pickup placement provide the hard-edged cutting tone needed for heavy rock. 24 fret thin, flat and fast Wizard and Wizard II necks. Rounder Ultra necks available on RGT3120 neck-thru-body models. Wide assortment of bridges: Hard tail, synchronized trems and the new Edge-Pro and Edge-Pro II double locking tremolo systems. Double Edge-Pro models feature piezo elements for adding acoustic guitar tones. Wizard II neck 3pc. Maple Neck Material Basswood Body 24/Jumbo frets Bound Rosewood Finger Board Edge III bridge IBZ INF3 (H) Neck PU IBZ INFS3 (S) Mid PU IBZ INF4 (H) Bridge PU Sharktooth Inlay Wizard II neck 25.5 scale neck is 2mm thicker than the super-thin, super-flat Ibanez Wizard. Basswood Body Basswood is a comparatively lightweight wood, which makes it very comfortable for extended playing. With a good balance of highs and lows, basswood is right in between alder and mahogany in sound character. 24/Jumbo frets Jumbo frets offer easy playing for leads and chording. black (bk) Case For RG370DX